Related Publications

Journal Publications [5]

López, M. (2015) ‘An Acoustical Approach to the Study of the Wagons of the York Mystery Plays: Structure and Orientation’, Early Theatre, Vol. 18, No. 2, December 2015, pp. 11-36.

Journal is Available Here: ET_18-2_5_ART_Lopez

López, M. (2015) ‘Using multiple computer models to study the acoustics of a sixteenth-century performance space’, Applied Acoustics, Vol. 94, July 2015, pp. 14-19.

López, M. (2015) ‘Objective evaluation of a simulation of the acoustics of a medieval urban space used for dramatic performances’, Applied Acoustics, Vol. 88, February 2015, pp. 38-43.

López, M., Pauletto, S. and Kearney, G. (2013) ‘The Application of Impulse Response Measurement Techniques to the Study of the Acoustics of Stonegate, a Performance Space Used in Medieval English Drama’ in Acta Acustica united with Acustica, Vol. 99, No. 1, January/February 2013, pp. 98-109.

López, M. (2012) ‘The Application of Virtual Acoustics to the reconstruction of Medieval Theatre Performance Spaces’ in SensedThe Remote Sensing and Photogrammetry Society Newsletter, No. 43, January 2012, pp. 19-21.


Conference Papers and Presentations [11]

López, M., ‘Sound and Hearing in Medieval Drama’ in CLAMS Colloquium The Senses in the Pre-Modern World, King’s College London, UK, 17 May 2016, (Invited Presentation).

López, M., ‘Acoustics, Performers and Audiences in Medieval English Drama’ in Proceedings of the Institute of Acoustics, Vol. 37, Auditorium Acoustics, Paris, France, 29-31 October 2015.
Paper is Available Here: auditoriumacoustics-marianalopez-paper

López, M., ‘Using Digital Audio Technologies to Study and Disseminate the York Mystery Plays’ in York Mystery Plays 2015 Conference, York, UK, 1 August 2015, (Invited Presentation).

López, M., ‘Auralizing the York Mystery Plays: Methodologies, Results and Public Engagement’ in the International Medieval Congress (IMC), Leeds, UK, 6-9 July 2015.

López, M., ‘The York Mystery Plays: a case study in the exploration of sound and hearing in medieval vernacular drama’ in Sensory Perception and the Medieval World, London, UK, 12-13 April 2014.

López, M. and Pauletto, S., ‘The York Mystery Plays: Acoustics and Staging in Stonegate’ in the 14th Triennial Colloquium of the Société Internationale pour l’étude du Théâtre Médiéval, Poznan, Poland, 22-27 July 2013.

López, M. and Pauletto, S., ‘Acoustic Measurement Methods for Outdoor Sites: A comparative study’ in Proc. of the 15th Int. Conference on Digital Audio Effects (DAFx-12), York, UK, 17-21 September 2012.

López, M., Pauletto, S. and Kearney, G., ‘Virtual acoustics and performance spaces in Medieval English Drama’ in The Acoustics of Ancient Theatres, Patras, Greece, 18-21 September 2011.

López, M., Pauletto, S. and Kearney, G., ‘Virtual Acoustics and the study of music in the York Cycle’ in Conference of Interdisciplinary Musicology, Glasgow, UK, 30 August–3 September 2011.

López, M., Pauletto, S. and Kearney, G., ‘The application of virtual acoustics in the reconstruction of medieval Stonegate’ (Poster) in ISPRS Working Group V/2 Conference, Cultural Heritage data acquisition and processing, York , UK, 17-19 August 2011.

López, M., ‘The Use of Virtual Acoustics for the study of the York Mystery Plays’ in the 2nd Annual Postgraduate Symposium, Department of Theatre, Film and Television, University of York, York, UK, 27 May 2011.


Book Chapters [1]

López, M., ‘The York Mystery Plays: Exploring Sound and Hearing in Medieval Vernacular Drama’ in S. Thomson and M. Bintley (ed.), Sensory Perception in the Medieval West, Utrecht Studies in Medieval Literacy, 34, (Turnhout: Brepols), pp. 53-73, 2016.


Thesis [1]

López, Mariana (2013), Hearing the York Mystery Plays: acoustics, staging and performance. PhD thesis, University of York.